This at least captures two sharp performances, both from the primitive situation production of Hugh Whitemore’s play about the late poet Stevie Smith, the Emily Dickinson of Palmers Green: Glenda Jackson as Stevie, Mona Washbourne as her maiden aunt. But the screen adaptation is honestly dreadful. A substitute alternatively of sucking us into Stevie Smith’s claustrophobic world, it jolts us about with sepia flashbacks, well-disposed shots of trains entering tunnels and of Highgate Ponds in winter. Perchance such tricks were needed, though, to inglorious the play’s lack of direct action: it’s approximately without exception reminiscences and confidences.
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